Man Ray, one of the most recognized photographers of the twentieth century, thought of the photographer as an explorer of the marvelous aspects that our retina never registers, adding, furthermore, that a poet coexisted discreetly in every photographer.
It is still a great truth, on the other hand, that when one is in front of certain scenarios, he instantly ceases to feel like a photographer and unexpectedly becomes a poet.
In reality, the acceptance or rejection of his expositions matters little or nothing: his own experience is the most transcendent manifestation, the essence of his own poetry.
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